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HOOVER ARCHIVES: A Few Brave Voices
By Bradley Bauer
An exhibit tells the story of the Soviet dissidents who fought the Kremlin—and, in the end, won. By Brad Bauer.
On the afternoon of August 25, 1968, seven people arrived at Moscow’s
Red Square, indistinguishable from the scores of other Muscovites enjoying
the summer weather and tourists taking in the sights of the Soviet capital.
After sitting for a few moments on the stone platform known as
Lobnoye Mesto, or Place of the Skull, they suddenly pulled out banners
protesting the recent invasion of Czechoslovakia by Warsaw Pact troops,
an action meant to crush the wave of democratic reforms known as the
Prague Spring. As the seven unfurled their banners, passersby were able to
read the slogans: “Hands off Czechoslovakia,” “Shame on the Occupiers,”
“Freedom for Dubček,” and “For Your Freedom and Ours.” Within minutes,
plainclothes KGB officers arrived at the scene and began violently
beating the protesters, knocking out teeth and tearing the banners from
their hands. The protesters, including the poet Natalia Gorbanevskaia, carrying
her infant son; the mathematician Pavel Litvinov, grandson of a former
Soviet foreign minister, Maxim Litvinov; and art critic Viktor Feinberg,
were arrested and hustled off to jail, where most of them awaited a trial and
sentencing of up to three years in forced labor camps.
To many, their action might have seemed an exercise in futility, and a
dangerous one at that. Why would individuals risk their jobs, reputations,
freedom, and perhaps their lives to stage a fleeting protest that would be
seen by only a handful of people? Who knowingly took such risks? Did such protests, and other acts of resistance practiced against the Soviet
regime, have an impact on the country and its people over the long run?
And were the Western organizations that sought to help such protesters a
help or a hindrance to their cause?
Aircraft and rocket designer Aleksandr Bolonkin, photographed during his
Siberian exile, spent fifteen years in camps and internal exile for reading and
distributing works banned in the Soviet Union. He immigrated to the United
States in the late 1980s as a political refugee and resumed his career as an
aerospace scientist.
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A Soviet plainclothes agent examines printed materials during a search of a home in
Sverdlovsk. People keeping unauthorized books, articles, and other works were subject to
arrest and imprisonment. This photo was sent to Glasnost magazine, which reported on the
final years of the Soviet regime.
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The Hoover Institution is hosting an exhibit that seeks to tell the story
of such dissidents and to answer some of those questions. To Choose Freedom:
Soviet Dissidents and Their Supporters uses materials from the
holdings of the Hoover Library and Archives to portray the lives and activities of the diverse group of people who were branded “dissidents”
or “nonconformists” in the last decades of the Soviet Union. The exhibit
also highlights the role played by supporters of these dissidents in the
West: human rights activists, journalists, and both governmental and
nongovernmental organizations in the United States, Western Europe,
and elsewhere.
This exhibit, as well as an academic symposium on the topic that was
held at Hoover in April, was inspired by Yuri Yarim-Agaev, a former dissident
who placed his own collection of papers in the Hoover Archives in
2007. Yarim-Agaev, who has the unusual distinction of having been both
a dissident in the Soviet Union and, after his exile in 1980, an advocate for
the dissidents in the West, believes that Western organizations offered much
moral encouragement and practical aid to dissidents and thus set a worthy
example for those wishing to foster democratic reform in repressive regimes
today.
Why would individuals risk their jobs, reputations, freedom, and perhaps
even their lives to stage a fleeting protest that would be seen by only a
handful of people?
To better understand the nature of the dissident movement, one can
begin by looking at its development, beginning in the early 1960s, and at
the activities and methods used by the movement and its supporters
abroad.
Some of the dissidents’ tactics and characteristics had their roots in the
previous century of Russian history, but it was the period of de-Stalinization
known as “the thaw,” which took place under the leadership of Soviet
Communist Party Chairman Nikita Khrushchev in 1956–62, that gave
birth to this movement and shaped it. Turning his back on the years of
Stalinist terror, Khrushchev permitted a modest degree of freedom of
expression for artists, writers, and intellectuals. Not accustomed to such
freedom, many sought to take full advantage of it. Poets not officially sanctioned
by the Communist Party began to read their works in open-air
gatherings at Moscow’s Mayakovsky Square, and novelists who wanted to
push beyond the stodgy conventions of socialist realism to portray the reality of everyday Soviet life began to see their works published in mainstream
literary journals. In one such journal, Novyi Mir, Aleksandr Solzhenitsyn’s
searing account of life in a Stalinist prison camp, One Day in the Life of
Ivan Denisovich, was first published in 1962.
Arina Ginzburg, wife of dissident Aleksandr Ginzburg, holds the young son of poet and translator Natalia Gorbanevskaia, who was among the seven who protested in Red Square in August 1968 against the invasion of Czechoslovakia. Later, Gorbanevskaia was imprisoned for three years in a psychiatric hospital. Folk singer Joan Baez wrote a song, “Natalia,” that dramatized the poet's plight. Freed in 1975, Gorbanevskaia lives in France.
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Oryol hospital, photographed in 1971, was among the special prisons for
Soviet dissidents who were put away after being diagnosed as insane.
Watchtowers and armed guards surrounded the hospitals, where inmates
reported being beaten and abused.
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Yet such openness was bound not to last. Many Communist Party leaders
resisted it, feeling that it was undermining the primacy of the party in
Soviet life, and even Khrushchev was ambivalent about how far such freedoms
should go. A new chill crept in as poets and artists who resisted or
questioned the party line began to be harassed, arrested, and imprisoned.
After Khrushchev was overthrown in 1964 and the hard-liner Leonid
Brezhnev came to power, the thaw was effectively over. In that year, the
poet Joseph Brodsky was prosecuted in the first of the big show trials of the
1960s directed against writers and other intellectuals openly critical of the
Soviet regime. Two years later, the well-known writers Andrei Siniavskii
and Yuli Daniel were tried for the unauthorized publication of their works in the West. All three were sentenced to either several years of imprisonment
in labor camps or to internal exile. But their trials failed to suppress
the critics of the Soviet Union, and in fact were a pivotal point in the fledgling
dissident movement. Spectators at these trials covertly took notes that
were smuggled out of the USSR and published, providing a lasting account
not only of the mendacity and cynicism of the government that prosecuted
the intellectuals but of the defiance with which they confronted the charges
against them.
After a brief “thaw” allowed a modest freedom of expression, the chill
returned. Poets and artists who resisted or questioned the party line in
the 1960s began to be harassed, arrested, and imprisoned.
Many of the best-known dissidents in the early years were artists and
intellectuals, whose struggles stemmed primarily from a desire for freedom
of artistic expression. But their trials engendered further waves of protest
that focused on more basic abuses of human rights and that drew other
types of activists to this cause. Aleksandr Ginzburg, a young journalist who
had been arrested in 1960 for publishing the underground literary journal
Sintaksis, had been released from prison a few years before the show trials
began; he compiled a transcript of the Siniavskii-Daniel trial, dubbing it
The White Book, which was distributed informally among the network of
dissidents before it was published abroad. This led to Ginzburg’s second
arrest, trial, and prison sentence, which in turn led to another wave of
protest, as Pavel Litvinov collected and distributed documentation of this
trial and published it in the West. The chain of arrests continued: Litvinov,
too, was detained after his participation in the August 1968 demonstration
at Red Square against the invasion of Czechoslovakia.
By the 1970s, some of the most prominent dissidents included scientists,
such as the physicist and later Nobel Peace Prize laureate Andrei
Sakharov; fellow physicists Yuri Orlov and Anatoly Shcharansky (now
known as Natan Sharansky); nationalists and members of ethnic minorities,
such as Ukrainians, Tatars, and peoples of the Baltic states demanding
autonomy, if not outright independence; and religious groups, including
Baptists, Orthodox Old Believers, and the so-called refuseniks, Jewish dissidents who wished to leave the Soviet Union to emigrate to Israel or other
Western countries.
Aleksandr Solzhenitsyn’s The Gulag Archipelago was among the banned
books that circulated in the Soviet Union thanks to clandestine copies like
this miniature, which was printed in the West in 1973.
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Andrei Sakharov and his wife, Elena Bonner, were major figures in the human rights
movement of the 1970s and 1980s. Sakharov, a physicist, was awarded the Nobel Peace Prize;
he spent six years in internal exile and was freed in the Gorbachev era. Sakharov died in
1989, but Bonner remains an active voice for democracy and human rights.
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The dissidents’ main focus was gathering and disseminating information
that pointed out the contradictions in the Soviet system of justice and
illuminated the human rights abuses committed in its name. The best known
means of spreading this information were the samizdat—self-published
books, articles, and treatises. Lacking photocopying equipment,
dissidents would type up poetry, articles, manifestos, and other articles,
interleaving up to ten sheets of paper with carbon paper, and then distribute
the copies to trusted friends and allies. If the articles ended up in the
hands of the police or an informer, the person distributing them would be
arrested, tried, and subjected to a sentence of five to seven years or longer
for “anti-Soviet agitation and propaganda.” Many times, samizdat publications
also wound up in the hands of Western journalists, who could then
arrange their publication and distribution abroad. Material also was produced by exiles and sympathetic groups outside the Soviet Union; these
works, known as tamizdat, or “published there,” were smuggled back into
the homeland and distributed there. Such items included Solzhenitsyn’s
Gulag Archipelago and Boris Pasternak’s Doctor Zhivago, along with broadcasts
from such organizations as the U.S.-operated Radio Liberty or the
British Broadcasting Corporation’s Russian Service, in which excerpts from
the works were read.
Activists seeking human rights and democratic reform continue to face
harassment, arrest, torture, and imprisonment today in countries as
varied as China, Iran, Belarus, and Zimbabwe—not to mention the Russia
of Vladimir Putin.
Collecting and publishing documents was not the sole aim of Soviet dissidents.
Many individuals and groups took it upon themselves to monitor
the conditions of imprisoned or exiled dissidents, recording details of life
in the prison camps, psychiatric hospitals—which were primarily used as
a means of silencing dissenters by claiming that they were mentally ill—
and far-flung locations of exile. The Moscow Helsinki Group, founded by
Yuri Orlov in 1976, was created in the wake of the Helsinki Conference,
at which the Soviet Union signed accords promising to respect and uphold
human rights in the signatory countries. The Moscow Helsinki Group tried
to document the many discrepancies between the Soviet Union’s official
stance and its actual treatment of human rights activists. A number of the
group’s members—including Orlov—were eventually arrested and given
long prison terms for those activities. Yuri Yarim-Agaev was a member of
this group, and on its behalf he traveled to Siberia in 1979, meeting with
several exiles and providing detailed reports on their living conditions and
treatment.
Organizations outside the Soviet Union also played an important role
in supporting the dissidents. Whether through raising awareness among
the public of the plight of prisoners of conscience held captive in prisons
and psychiatric hospitals, seeking to influence American and Western European
political leaders and policy makers—persuading them to pressure the
Soviet government on behalf of specific political prisoners—or finding tangible ways of supporting the families of imprisoned dissidents through food
and financial aid, a number of organizations and individuals campaigned
tirelessly on behalf of Soviet dissidents. The Hoover Archives houses the
records of two such organizations—the Berkeley-based Scientists for
Sakharov-Orlov-Shcharansky, formed to advocate on behalf of the three
imprisoned scientists in the late 1970s and early 1980s, and Yarim-Agaev’s
own Center for Democracy in the USSR, founded in New York five years
after his arrival in the United States and operated with the support of other
exiled dissidents, such as Ginzburg and Vladimir Bukovskii.
Vladimir Bukovskii, left, shown with Hoover fellow and historian Robert Conquest in 1987,
spread the word that the Soviet Union was punishing political prisoners in psychiatric hospitals.
He and a fellow inmate wrote a manual to help dissidents fight such imprisonment. A
democracy activist in Russia today, Bukovskii tried in late 2007 to run for president, but
election authorities refused to let him.
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In placing his organization’s papers at the Hoover Archives in 2007,
Yarim-Agaev made clear his desire that these documents not simply be consulted
by historians and students interested in studying the last days of the Soviet empire but that they serve as a lens through which present political
conflicts around the world can be examined. Activists seeking human rights
and democratic reform continue to face harassment, arrest, torture, and
imprisonment today in countries as varied as China, Iran, Belarus, and
Zimbabwe—not to mention the Russia of Vladimir Putin. Yarim-Agaev
hopes that his records, and the papers of other former Soviet dissidents such
as Ginzburg and Siniavskii, convey lessons from past struggles that will
guide policy makers and activists today.
Special to the Hoover Digest. The exhibit about the Soviet dissident movement is open to the public through
October 25 in the Herbert Hoover Memorial Exhibit Pavilion.
Available from the Hoover Press is Discovering the Hidden Listener: An Empirical Assessment
of Radio Liberty and Western Broadcasting to the USSR during the Cold War, by R.
Eugene Parta. To order, call 800.935.2882 or visit www.hooverpress.org.
Brad Bauer is associate archivist for collection development at the Hoover Institution Archives.
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